ART/ARTIFACT
Ways of analyzing: form, content, background
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(2) : a particular kind or instance of such arrangement <the sonnet is a poetical form>
b : PATTERN, SCHEMA <arguments of the same logical form>(3) The literal shape and mass of an object or figure.c : the structural element, plan, or design of a work of art -- visible and measurable unit defined by a contour : a bounded surface or volume
(4) More general, the materials used to make a work of art, the ways in which these materials are used utilized in terms of the formal elements (medium, texture, rhythm, tempo, dynamic contrast, melody, line, light/contrast/value structure, color, texture, size and composition.)
formal analysis
Is the analysis of
a work by discussing its form such as its medium, shape,
lines, light, color, texture and composition.
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Stockstad refers to this as content. According
to Stockstad:
"Content includes subject matter, which is quite simply is what is represented, even when that consists strictly of lines and formal elements-lines and color without recognizable subject matter, for example.""The study of the "what" of subject matter is iconography. Iconologyu has come to mean the study of the "why" of subject matter."
![]() Kallikrates and Iktinos, Parthenon, Acropolis, Athens. 447-438BCE. View from the West |
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1 : the parts of a discourse that surround a word or passage and can throw light on its meaning
2 : the interrelated conditions in which something exists or occurs : ENVIRONMENT, SETTING
contextual
analysis
Is the analysis of
a work by discussing its history, culture and or background.
Roughly
close to conclusion in music.
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The Athenian Age
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Jacques Louis David. The Death of Socrates. 1787
French Neoclassical Period/Style
Socrates b. c. 470 BC, Athens [Greece] d. 399, Athens
ancient Athenian philosopher.
He was the first of the great trio of ancient Greeks--Socrates, Plato,
and Aristotle--who laid the philosophical foundations of Western culture.
As Cicero said, Socrates "brought down philosophy from heaven to earth"--i.e.,
from the nature speculation of the Ionian and Italian cosmologists to analyses
of the character and conduct of human life, which he assessed in terms
of an original theory of the soul. Living during the chaos of the Peloponnesian
War, with its erosion of moral values, Socrates felt called to shore up
the ethical dimensions of life by the admonition to "know thyself" and
by the effort to explore the connotations of moral and humanistic terms.
Plato b. 428/427 BC, Athens, or Aegina, Greece
d. 348/347, Athens
ancient Greek philosopher, the
second of the great trio of ancient Greeks--Socrates, Plato, and Aristotle--who
between them laid the philosophical foundations of Western culture. Building
on the life and thought of Socrates, Plato developed a profound and wide-ranging
system of philosophy. His thought has logical, epistemological, and metaphysical
aspects; but its underlying motivation is ethical. It sometimes relies
upon conjectures and myth, and it is occasionally mystical in tone; but
fundamentally Plato is a rationalist, devoted to the proposition that reason
must be followed wherever it leads. Thus the core of Plato's philosophy,
resting upon a foundation of eternal Ideas, or Forms, is a rationalistic
ethics.
Aristotle b. 384 BC, Stagira, Chalcidice, Greece
d. 322, Chalcis, Euboea
Greek ARISTOTELES, ancient Greek
philosopher and scientist, one of the two greatest intellectual figures
produced by the Greeks (the other being Plato). He surveyed the whole of
human knowledge as it was known in the Mediterranean world in his day.
More than any other thinker, Aristotle
determined the orientation and the content of Western intellectual history.
He was the author of a philosophical and scientific system that through
the centuries became the support and vehicle for both medieval Christian
and Islamic scholastic thought: until the end of the 17th century, Western
culture was Aristotelian. Even after the intellectual revolutions of centuries
to follow, Aristotelian concepts and ideas remained embedded in Western
thinking.
![]() Kallikrates and Iktinos, Parthenon, Acropolis, Athens. 447-438BCE. View from the West |
![]() View from the NW |
symmetria ". . .derived from Pythagoreans, a belief that numbers underlie both physical and abstract phenomena served to anchor human experience and action in a stable and comprehensible universe. Numbers reveal divine prescence in the human sphere."Art History's History by Vernon Hyde Minor
![]() The Parthenon c450 BCE Athens, Greece |
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![]() Battle of the Lapiths and the Centaurs kalos symmetry Apollonian/Dionysian Conflict Lapiths Centaurs Eurythmea |
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Polykleitos, Spear Bearer (Doryphoros)
Roman copy after the Greek original bronze of c.450-440 BCE, Marble, height 6'6" (2 M) tree trunk and brace strut are Roman additions. Museo Archeologico Nazionale, Naples Italy Classic Greek kalos
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can·on
Etymology: Middle English, from Old English, from Late
Latin, from Latin, ruler, rule, model, standard, from Greek kanOn
Date: before 12th century
4 a : an accepted principle or rule b:
a criterion or standard of judgment c : a body of principles,
rules, standards, or norms
1 a : a regulation or dogma decreed by
a church council b : a provision of canon law
2 [Middle English, prob. from Old French, from
Late Latin, from Latin, model] : the most solemn and unvarying part
of the Mass including the consecration of the bread and wine
3 [Middle English, from Late Latin, from Latin,
standard] a : an authoritative list of books accepted as
Holy Scripture b : the authentic works of a writer c:
a sanctioned or accepted group or body of related works <the
canon
of great literature>
5 [Late Greek kanOn, from Greek, model]
:
a contrapuntal musical composition in two or more voice parts in which
the melody is imitated exactly and completely by the successive voices
though not always at the same pitch
synonym see LAW
![]() Greek, Classic, Polykleitos, Doryphoros c450BCE |
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![]() Greek, Classic, Polykleitos, "Doryphoros" c450BCE |
![]() ![]() Young Warrior, (Riace Bronzes) found in the sea off Riace, Italy. c. 460-450 BCE. Bronze with bone and glass eyes, silver teeth, and copper lips and nipples, height 6'8" (2.03 m) Museo Archeologico Nazionale, Reggio Calabria, Italy |
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Laocoon and his sons, c1C BCE by
Hagesandros, Polydoros, and Athenadoros of Rhodes, marble 8' tall Vatican Museum, Rome Hellenistic Homer's Iliad and Odyssey |
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