Years | Period | China | World |
5,000-2,000 BCE | Neolithic | Beginning of agriculture: painted
pottery
Yanshao (Painted Pottery) Culture 5000-4000 Banpo 4000 Banshan 2200 Longshan (Black Pottery)
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Catal Huyuk
Ziggurats Lyre of Puabi Pyramids in Egypt Pictographs and invention of Cuneiform Sargon of Akkad Stele of Naram-Sin Tell Asmar |
c1700-221 BCE | Bronze Age
Warring States Period Shang dynasty; Chou (Zhou) dynasty |
Shang 1700-1100 BCE
and Zhou 1100-221 BCE dynasties;
|
Code of Hammurabi
Olmec in America Golden Age of Perikles Parthenon Rome Begins |
c221- 206 BCE | Qin (Chin) dynasty |
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Rome Begins |
206 BCE-220CE | Han dynasty |
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Pantheon
Colosseum Rise of Christianity |
220 - 579 CE | Six Dynasties
Sung, North, East and West Wei, Liang, Chen, Chi Chou |
Nomad Invasions,
Buddhism Grows Rock Cut Caves Monumental Buddhas |
Birth of Muhammad
Edict of Milan Hagia Sofia Separation of Churches |
568 - 617 CE | Sui | Reunification of China | |
618-907 | Tang dynasty | Repression of Buddhism | |
960-1279 CE | Song (Sung) dynasty | Neo Confucianism
Mongols Landscape Painting Develops |
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(Left to right)
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Banpo Jar c 2200-1800
With the character TIEN for "field." A symbol that contains a cross within a square, inside a swastika
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field work
an investigation carried out in the field rather than in a laboratory or headquarters field work
left 2 characters: wild field right 2 characters: investigation |
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Tao Tie Mask on a Neolithic Chinese Jade
circa 1766-1122 BCE Aproximately 3"x3" ‘He who is not of my own clan must be an enemy at heart.’
apotropaic
Both of these images are designed to have some kind of magical or religious power. How does the fact that these two images are very diagramatic in nature helps this? |
![]() Ding, taotie masks on 4 sides, bronze, Anyang, China, Shang Dynasty, Fu Hao's tomb, ca. 1200 BCE |
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Kui dragon A creature seen in the
decoration of Chinese bronzes from the Shang dynasty, which became a popular
motif on archaistic wares in a variety of media. The dragon, which has
a turned-up snout, is always shown in profile with only one leg visible.
Leiwen Literal translation: "thunder pattern". A pattern made up of juxtaposed squared spirals. ![]() |
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![]() Chilkat blanket, mountain goat wool, cedar bark and sinew thread 51 x 64 (129.5 x 162.6 cm) inches 19th Century CE NW Coast, Tlingit |
![]() Ding, taotie masks on 4 sides, bronze, Anyang, China, Shang Dynasty, Fu Hao's tomb, ca. 1200 BCE |
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Lady Fu Hao's tomb c1200
BCE
Anyang, Henan, China, Shang Dynasty/Bronze Age Wife of Shang Emperor Wu Ding |
Excavation in 1976
![]() Lady Fu Hao's tomb c1200 BCE Anyang, Henan, China, Shang Dynasty/Bronze Age with skeleton remains placed on tiers, Wife of Shang Emperor Wu Ding
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![]() Ax (Yue), bronze, Anyang, China, Shang Dynasty, ca. 1200 BCE Used for ritual sacrifices.
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Fang Ding from Fu Hao's tomb c1200
BCE
Bronze Anyang, China, Shang Dynasty Rubbing from the Fang Ding at left
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Tomb of the Marquis Yi of Zeng
433 BCE The Eastern Zhou moved their capital to Luoyang, on the north (yang) side of the Luo River, a tributary of the Yellow River. Like the area around Xian, Luoyang was strategic and had attracted human life from the Neolithic period. It was a capital site for the Xia, Shang, Zhou (Chengzhou) and Han dynasties. Here excavations have revealed the wealth of the vassal kingdom of Zeng, in service to the Chu. |
Marquis Yi's tomb
The burial complex of the 'Marquis of Zeng', first discovered in 1977, covered 220 square meters and had four separate chambers. In the northern and smallest were weapons, in the eastern the Marquis's tomb with nested wooden lacquer coffins and eight other coffins of women, in the western coffins of thirteen young women in silk shrouds. In the central and largest was a magnificent set of bronze bells. About 100 metres away another tomb was found subsequently with another set of bronze bells and other musical instruments.
Marquis Yi of Zeng chariot pit
The 'royal pit' of the Marquis Yi of Zeng had 27 chariots and 76 horses, but no human skeletons ![]() |
Chariot burial with a dog
In one chariot a dog was buried. ![]() |
Bronze gui cooking pot with elephant handles
Bronzes were placed outside the pit |
Pottery painted in imitation of bronze
and pottery with decoration painted in imitation of bronze. |
Some of the bronzes, like this zun-pan (h. 30.1 cm, d.
25 cm), were elaborately decorated.
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Marquis of Yi's painted lacquer deer (77cm)
The painted lacquer deer was in his burial chamber |
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His bronze 'crane' with deer antlers (143.5cm), inscribed
"Made for the eternal use of Marquis Yi of Zeng"
This 'crane' with snake like dragons emerge from its body. It may have been a drum stand. |
![]() Marquis Yi of Zeng Bells 433BCE 9'x25' (lost wax process) Zhou Dynasty/Warring States Period no clappers |
The central bell bears an inscription that indicates it was a gift to Marquis Yi from King Hui of Chu and cast in 433 B.C., the year the Marquis was buried. The bells are believed to have been played in court rituals to ensure the posterity of the imperial reign. |
Lost wax process
tao-tieh like design on each bell
Man Riding on a Dragon
3rd C BCE painting on silk Zhou Dynasty outline and color method |
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Man Riding on a Dragon
Qin, Chariot 221-207BCE
3rd C BCE painting on silk Zhou Dynasty from the tomb of Qin Shihuangdi (The First Emperor of Qin) ![]() |
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Umbrella is a luxury item probably
denoting his class.The Umbrella is a symbol of spiritual authority and
charity.
Fish (Yu)
Heron (Lu)
Dragon (Long)
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![]() Zhou Bi Disk c500-400 BCE jade 6.5" |
Confucius- (Con-fu-tzu)
(translation means: great thinker and teacher)A disciple asked Confucius, saying, "Why, sir, does the superior man value jade much more highly than serpentine? Is it because jade is scarce and serpentine abundant?"
"It is not," replied Confucius; "but it is because of the superior men of olden days regarded it as a symbol of the virtues. Its gentle, smooth, glossy appearance suggests charity of the heart; its fine close texture and hardness suggests wisdom; it is firm and yet does not wound, suggesting duty to one's neighbor; it hangs down as though sinking, suggesting ceremony; struck, it gives a clear note, long drawn out, dying gradually away and suggesting music; its flaws do not hide its excellences, nor do its excellences hide its flaws, suggesting loyalty; it gains our confidence, suggesting truth; its spirituality is like the bright rainbow, suggesting the heavens above; its energy is manifested in hill and stream, suggesting the earth below; as articles of regalia it suggests the exemplification of that than there is nothing in the world of equal value, and thereby is-TAO itself.