form
(1) : orderly method of arrangement (as
in the presentation of ideas) : manner of coordinating elements
(as of an artistic production or course of reasoning)
(2) : a particular kind or instance of such arrangement <the sonnet is a poetical form>
b : PATTERN, SCHEMA <arguments of the same logical form>(3) The literal shape and mass of an object or figure.c : the structural element, plan, or design of a work of art -- visible and measurable unit defined by a contour : a bounded surface or volume
(4) More general, the materials used to make a work of
art, the ways in which these materials are used utilized in terms of the
formal elements (line, light, color, texture, size and composition.)
![]() asym.met.ri.cal or asym.met.ric adj [Gk asymmetria lack of proportion, fr. asymmetros ill-proportioned, fr. a- + symmetros symmetrical] (1690) 1: not symmetrical 2 usu asymmetric, of a carbon atom: bonded to four different atoms or groups -- asym.met.ri.cal.ly adv -- asym.me.try n |
sym.me.try n, pl -tries [L symmetria, fr. Gk,
fr. symmetros symmetrical, fr. syn- + metron measure--more at measure]
(1541) 1: balanced proportions; also: beauty of form arising from balanced
proportions 2: the property of being symmetrical; esp: correspondence in
size, shape, and relative position of parts on opposite sides of a dividing
line or median plane or about a center or axis--compare bilateral symmetry,
radial symmetry 3: a rigid motion of a geometric figure that determines
a one-to-one mapping onto itself 4: the property of remaining invariant
under certain changes (as of orientation in space, of the sign of the electric
charge, of parity, or of the direction of time flow)--used of physical
phenomena and of equations describing them
bilateral symmetry n (1860): symmetry in which similar anatomical parts are arranged on opposite sides of a median axis so that only one plane can divide the individual into essentially identical halves |
Emphasis and Focal Point
formal
analysis
Is the analysis of
a work by discussing its form such as its shape, lines, color, texture
and composition.
Jean-Michel Basquiat, Untitled, 1984
Acrylic, oil paintstick, and silkscreen on canvas,88x77
inches
Estate of Jean-Michel Basquiat; courtesy
Robert Miller Gallery, New York
iconography
Etymology: Medieval Latin iconographia, from Greek
eikonographia
sketch,
description, from eikonographein to describe, from eikon- + graphein
to
write -- more at CARVE
Date: 1678
1 : pictorial material relating to or illustrating
a subject
2 : the traditional or conventional images
or symbols associated with a subject and especially a religious or legendary
subject
3 : the imagery or symbolism of a work
of art, an artist, or a body of art
4 : ICONOLOGY
context
Etymology: Middle
English, weaving together of words, from Latin contextus connection of
words, coherence, from contexere to weave
together, from
com- + texere to weave
1 : the parts of a discourse that surround a word or passage and can throw light on its meaning
2 : the interrelated
conditions in which something exists or occurs : ENVIRONMENT,
SETTING
contextualism A methodological approach in art history which focuses on the cultural back ground of an art object. Unlike connoirsseurship, contexualism utilizes the literature, history, economics, and social developments (among others) of a period, as well as the object itself, to explain the meaning of an artwork.
Jean-Michel Basquiat, Untitled, 1984 Acrylic, oil paintstick, and silkscreen on canvas,88x77 inches Estate of Jean-Michel Basquiat; courtesyRobert Miller Gallery, New York |
![]() ![]() Aztec goddess Tlazolteotl, the goddess of earth, sex, childbirth and mothers. |
![]() Vincent Van Gogh, The Starry Night, Saint-Rémy: June, 1889 Oil on canvas 73 x 92 cm. Post Impressionist |
![]() Caspar David Friederich, Cloister Cemetery in the Snow 1817-19 Oil on canvas 121 x 170 cm Destroyed 1945, formerly in the National Gallery, Berlin only black and white and poor color images survived German Romantic Painter (Romanticism) |