Leonardo da Vinci, Vitruvian Man, Study of proportions, from Vitruvius's De Architectura 1492 Pen and ink, Italian Renaissance |
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Leonardo da Vinci, The Virgin and Child with Saint Anne, 1510 Oil on wood, Italian Renaissance |
Jan van Eyck, The
Arnolfini Wedding 1434
oil and tempera on oak 82x60cm Renaissance Flanders |
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Giotto, Madonna Enthroned
c1310
Italian Renaissance |
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Albrecht Durer,
Adam and Eve, 1504 engraving, German Renaissance |
Hans Baldung Grien,
Aristotle and Phyllis, 1513 Woodcut, 33 x 23,6 cm German Renaissance |
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Hans Baldung Grien, Aristotle
and Phyllis, 1540
pen and ink German Renaissance |
(Judgment of Paris?) 1497 |
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Hans Baldung Grien,, Bewitched Groom 1544 |
![]() Judith and Holofernes, from the Nuremberg Bible c.1500 |
![]() Andrea Mantegna Judith and Holofernes, 1495 Italian Renaissance |
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Titian (Tiziano Vecellio)
The Venus of Urbino, 1538 Oil on canvas, Florence, Italian Renaissance |
"My
Last Duchess" - Robert Browning - 1842
1 That's my last Duchess painted on the wall,
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28
Broke in the orchard for her, the white mule
29 She rode with round the terrace - all and each 30 Would draw from her alike the approving speech, 31 Or blush, at least. She thanked men, - good! but thanked 32 Somehow - I know not how - as if she ranked 33 My gift of a nine-hundred-years-old name 34 With anybody's gift. Who'd stoop to blame 35 This sort of trifling? Even had you skill 36 In speech - which I have not - to make your will 37 Quite clear to such an one, and say "Just this 38 Or that in you disgusts me; here you miss, 39 Or there exceed the mark" - and if she let 40 Herself be lessoned so, nor plainly set 41 Her wits to yours, forsooth, and made excuse - 42 E'en then would be some stooping; and I choose 43 Never to stoop. Oh, sir, she smiled, no doubt, 44 Whene'er I passed her; but who passed without 45 Much the same smile? This grew; I gave commands; 46 Then all smiles stopped together. There she stands 47 As if alive. Will't please you rise? We'll meet 48 The company below, then. I repeat, 49 The Count your master's known munificence 50 Is ample warrant that no just pretense 51 Of mine for dowry will be disallowed; 52 Though his fair daughter's self, as I avowed 53 At starting, is my object. Nay, we'll go 54 Together down, sir. Notice Neptune, though, 55 Taming a sea-horse, thought a rarity, 56 Which Claus of Innsbruck cast in bronze for me. |
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Sofonisba Anguissola,
Portrait of the Artist's Sisters and Governess. 1555 (The Chess Game) oil on canvas, 27"x37" Italian Renaissance |
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Sofonisba Anguissola,
Self and Family Portraits c1550's |